In 1912, he made one of several trips to India. Howard's End (1910), his first major literary success, was a critique of the British upper class. His second and third novels, The Longest Journey (1907), and A Room With a View (1908) appeared during this time. Upon returning to England, he lectured at Working Men's College. He lived in Greece and Italy from 1901 to 1907, during which his first novel, Where Angels Fear to Tread (1905) was published. Upon graduating with a bachelor of arts degree in classics and history, Forster went abroad and devoted himself to a writing career. In 1897, he enrolled in King's College, Cambridge, where he was grateful to be exposed to the liberal atmosphere and ideas lacking in his education up to that point. Forster recalled bitter memories of his time spent as a day attendant at Tonbridge School in Kent, from 1893 to 1897. Marianne Thornton, his greataunt on his father's side, died in 1886, leaving him an inheritance, which paid for his secondary and college education, as well as his subsequent world travels, and bought him the leisure to pursue the craft of writing. Forster's father died of tuberculosis in 1880, and he was subsequently raised by several female family members, in addition to his mother, all of whom made a strong impression on his youth, and some of whom eventually turned up as characters in his novels. Author BiographyĮdward Morgan Forster was born in London on January 1, 1879, the only surviving son of Edward Morgan Llewellyn Forster, an architect, and Alice Clara Forster. ![]() Open-ended quality that gives novels a feeling of expansiveness. ![]() Drawing on the metaphor of music, Forster concludes that rhythm, which he defines as "repetition plus variation," allows for an aesthetically pleasing structure to emerge from the novel, while maintaining the integrity of character and the Finally, he dismisses the value of "pattern," by which a narrative may be structured, as another aspect that frequently sacrifices the vitality of character. Fantasy and prophecy, which provide a sense of the "universal," or spiritual, Forster regards as central aspects of the great novel. He regards the necessity of plot, which creates the effect of suspense, as a problem by which character is frequently sacrificed in the service of providing an ending to the novel. He stresses the importance of character, maintaining that both "flat" and "round" characters may be included in the successful novel. He first establishes that, if nothing else, a novel is a story that takes place over a period of time. Using examples of classic works by many of the world's greatest writers, he discusses seven aspects he deems universal to the novel: story, characters, plot, fantasy, prophecy, pattern, and rhythm.įorster dismisses the method of examining the novel as a historical development, in preference to an image of all novelists throughout history writing simultaneously, side by side. Forster at Trinity College, Cambridge, in 1927. Aspects of the Novel is the publication of a series of lectures on the English language novel, delivered by E.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |